1996- I had a strange feeling when I saw his "Live Nagaike" series in the
biginning of this year. Those scenes were dry, governed by eternal serenity.
No matter how hard I look at them it was difficult to pin-point the time of day.
Neither day or night like scenes in a daydream.
I think the uniqueness of his photography exists in the coldness not asking
for the viewer's participation. I was forced to participate to the scenes
for the first time. The first photo reminded me of a huge egg. Acording to
Jung an egg signifies future. I wondered what sort of a future would emerge
from this huge cracked egg.
Noriko KAWAMURA (February 10, 1996)
Copyright(C) Noriko KAWAMURA 1996
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